Santa Barbara International Screenplay Awards... The screenplay contest where every connection leads to Hollywood.
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KATHY FRITZ
​

PictureKATHY FRITZ
​Can you tell us about your journey into screenwriting? What inspired you to pursue this career?
For years, I had been wanting to put my story out into the world. I had been working on a book for years, but the passion just wasn’t there. I started to dabble in screenwriting and the story finished itself. I find that screenwriting gives me much more
visual and creative freedom. Over the past year I’ve already finished two screenplays and currently on to my third.

When approaching a new screenplay, how do you organize your ideas before diving into the actual writing? Do you start with a detailed outline, or do you prefer to let the story unfold as you go?
I let the story unfold as I go. The story is already there and so are the characters. I’ve learned to finally trust the process and let the magic unfold. I think story making is what gives me the most creative satisfaction in the end.

How do you handle writer's block or moments of doubt during your creative process?
I go out into the world and observe people. People are where stories unfold and can help enrich your life, which in turn, will enrich your story.

Screenwriting often requires a deep understanding of character. How do you develop characters that feel authentic and relatable?
By surrounding myself with interesting people, either real or fictional. Then, as I write, I ask myself “ Would this be someone you
would want to hang out with?” If the answer is yes, then I consider it a good character.

The film and television industry is constantly evolving. How do you see the role of screenwriters changing, especially with the rise of streaming platforms and emerging technologies like artificial intelligence?
I myself being an artist of some sort for the last twenty years, I’ve seen multiple art forms be simplified or duplicated digitally. But the digital output is based on a conglomeration of human algorithms. I believe AI is a good tool or base for a screenwriter to gauge where the popular opinion is, then go the complete opposite way and create something of your own.

What do you hope audiences take away from your work? Are there particular emotions or messages you aim to evoke through your storytelling?
I just want people to feel something or to be inspired by the subject matter so that they themselves might gain a new
interest. My current screenplay was inspired by Gary Oldman’s Beethoven Immortal Beloved. Because of that movie, I dove into the music of Beethoven and devoured every book ever written about him. If it wasn’t for that movie, I wouldn’t have found the love I have for classical music I have today.

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  • Home
  • Feature Screenplay Contest
  • TV Script Contest
  • Short Script Contest
  • Diverse Writers Outreach
    • Diverse Writers Contest Results
  • Live WGA Consultations
  • Contest Results
  • PROFESSIONAL SHOWCASE
    • DIANE THOMASSIN >
      • DIANE THOMASSIN PROJECTS
    • CATHERINE SCHANDL >
      • CATHERINE SCHANDL PROJECTS
  • WRITERS SHOWCASE 2022-23
    • DANIEL S. LEVY
    • SEAN LAWRENCE
    • PREMA ROSE
    • TIMOTHY MICHAELS
    • JOHN BROWN
    • CHAD HUTSON
    • SCOTT THOMPSON
    • MICHAEL D. KENNEY
    • DANIEL PRESSEY
    • CHRISTOPHER BOYCE
    • STEVE SHEAR
    • ANGEL L. MARTINEZ
    • SARAH CALDWELL
    • SEAN McLAUGHLIN
    • A.P. GONZALEZ
    • ROBERT BORREGO
    • RANDY WOODLEY
    • DAVID SANDERS
    • ERNESTINA JUAREZ
    • CATHERINE EATON-DEBORAH RAYNE
    • PETER DE NORVILLE
    • ALYSHA HARAN
    • REENITA HORA
    • MIKE MORERO
    • SARAH KENNEDY
    • TOM FRANEY
    • DORENE LORENZ
    • RICHARD ROSSNER/RAHLA KAHN
    • SAM IWATA
    • Steven R. Berry
    • TONY SCHWEIKLE
    • Virginia Youngren
    • JASON NG
    • NIKKI COLE
    • LYNN ELLIOTT
    • JANE COX
    • JOHN PRATHER
    • TENNESSEE MARTIN INTERVIEW
    • VU MAI
    • Donald McKinney
    • MICHAEL ELLIOTT
    • MICHAEL ELLIOTT
    • GRETCHEN RATCLIFF SAWYER
    • ATTILA KOROSI INTERVIEW
    • AINHOA FERNANDEZ-MARTINEZ INTERVIEW
    • DAN PERO
    • NANCI GAGLIO
    • TERRY PODNAR SCREENWRITER
    • KIMBERLY CHAMPION
    • SANDRA MOONIAS
    • JODIE ANDERS
    • JONATHAN HIGGINS
    • DON WALLACE
    • LOVINDER GILL
    • STEPHEN FLOYD
    • Jeffery Evans
  • WRITERS SHOWCASE
    • MAXWELL THOMAS
    • MELISSA BRIDES
    • LINDSAY MAXOUTOPOULIS
    • ALBERTO DIAMANTE
    • ERIN DONOVAN
    • ANDREI CHAHINE
    • DOUGLAS SPALTRO
    • KATHY FRITZ
    • CANDEE KRAMER
    • BEN PARSONS
    • ANDREW MACQUARRIE
    • JEFF BARKER
    • WILL TURNER BRETT
    • BRYAN MARVIS
    • ELIZABETH APPELL
    • BARRY JAY
    • DAN JOLLEY
    • ELLEN PUFF
    • JONATHAN CANE
    • JOHNNY RUSSELL
    • JOEY MEDINA
    • SUSAN KELEJIAN
    • LAETITIA NGUYEN
    • LYDELLE JACKSON
    • MARK ZASLOVE
    • JUDAH BOSCO
    • LINDA FEDERICO OMURCHU
    • MARK WAKELY
    • STAN RUBAKHIN
    • AE GUAAKER
    • ANTHONY MCBRIDE
    • SUSAN SWEENEY
    • ANDREW CHIARAMONTE
    • BRENDON RICHARDS
    • THOMAS PACE
    • BILL MURPHY
    • STEPH KOWAL
    • PETER DE NORVILLE
    • KEVEN WICKHAM
    • JULIA SONG
    • JOHN ARNAU
    • FELICIA BAXER
    • DAVID RODERICK
    • MATT GALLAGHER
    • LEW OSTEEN
    • ROBBIE ROBERTSON
    • ROBIN CHAMBERS
    • ANDREW SCHERER
    • TIMOTHY KOHN
    • CELINE FOSTER
    • KARLA BRYANT
    • BARRY PUTT
    • CHAD HUTSON
    • DANIEL PERO
    • d.b. RODERICK
    • PAUL HUENEMANN
    • BERL KAUFMAN
    • TAMMY OLSEN
    • SOPHIE NEVILLE
    • NATHAN POST
    • DANIEL PERO
    • STAN LEWIS
    • LYNDA REISS & TARA TREMAINE
    • JAMES MULCAHY
    • ATTILA KOROSI
    • DAVID SANDERS
    • FRANCES MCCOY
    • GILBERT MOORE
  • JOIN THE SHOWCASE
  • Money for Your Movie
  • Free Webinars
    • - Logline Secrets & Pitching to Sell
    • Free Webinar: How to WIN Your Next Screenplay Contest
    • Free webinar: Choosing Career Path-Writing for Movies & TV
  • Writer Testimonials
  • Feedback Analysis Samples
  • Contest Judges
  • Contact Us